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Bach Trio 1 Third Mvt

This is my second film. It is a short documentary on a friend named Rob Stefanussen and his Hauptwerk organ. I filmed and edited this in less then 48 hours, and am very tired :P.

Koraalfantasie Psalm 42: 3 & 5 van Feike Asma. Gespeeld door Lubbert Schenk met Hauptwerk 3.30. Op het sampleset van de Bovenkerk van Kampen III extended, 16 bits. Het geluid is opgenomen via de speeltafel als wave bestand en gemonteerd met Imovie HD.

The St. Georgenkirche is home to one of the most well preserved pipe organs built by the Baroque builder Gottfried Silbermann in 1721. You are listening to and watching the virtual instrument of the Silbermann organ as played in Hauptwerk. For complete hi-fi audio demos visit http://www.milandigitalaudio.com/silb...

David Lines performing virtually on the Hauptwerk 3 Cavaillé-Coll virtual organ. Visit http://www.milandigitalaudio.com/ndm-... for more information and complete high quality demonstrations.

The 1680 Arp Schnitger organ located in Cappel, Germany is considered one of the most well preserved and authentic Schnitger organs in the world today. You are listening to and watching the virtual instrument of the Schnitger organ as played in Hauptwerk. For complete hi-fi audio demos visit http://www.milandigitalaudio.com/schn...

This is my performance of the first movement J.S. Bach's Trio Sonata #1 in E-Flat Major for organ, as played through Sonus Paradisi's Forcalquier French baroque organ sample library.

From 'Pièces dans différents styles pour orgue', book II.

This is the D Major last movement of Handel's Opus 7 No. 10 in D Minor, performed with a modern cadenza, on the Pazicky virtual organ of Pusztasabolcs, Hungary, courtesy of Inspired Acoustics software and Hauptwerk license.

This is my personal arrangement of the Allegro portion of John Stanley's Voluntary in A Minor. Normally, the bass line of this Allegro portion is played with the left hand, and only the melody is played in the right hand. My arrangement has transfered the bass line to the pedals; the freed-up left hand now plays a figured continuo accompaniment. This piece is performed on Sonus Paradisi's Forcalquier French Baroque virtual pipe organ, with a Hauptwerk 3.21 license.